Monday, October 11, 2021

Book Review: Demon Slayer Vol 5 by Koyoharu Gotouge

 

Demon Slayer, Vol 5     


Author: Koyoharu Gotouge

Publisher: Viz Media

American release date: March 5, 2019

Format/Genre/Length: Paperback/Fantasy Manga//192 pages

Overall Personal Rating: ★★★★

 

While on their way to Mt. Natagumo, having been summoned there, Tanjiro, Inosuke, and Zenitsu find themselves battling a family of spider demons in the forest! Although not actually related, Rui binds the family together through fear because of his desire to be part of a family. The largest spider demon is the father, who acts on orders from his “children”.

As Inosuke faces down the father, Tanjiro tells him to hang in there, he’ll be back as soon as he can. But Inosuke has doubts he will last that along. However assistance arrives from an unexpected source, and Inosuke is impressed by the skill of the newcomer. Tanjiro has problems of his own, though, when his blade breaks.

Rui captures Nezuko and tells Tanjiro he will let him live if he gives up his sister to him. Of course, Tanjiro won’t agree to that. The daughter spider demon sees the relationship between Tanjiro and Nezuko and longs for something like that for herself. Will Tanjiro be able to rescue his sister when the web these demons weave is so very strong?

Another member of the Hashira arrives, Shinobu, who is adorned with butterflies. Admittedly the only Hashira who cannot cut off a demon’s head, she has her own methods of defeating them. Namely through the use of poisons. Shinobu is determined to rid the world of all demons. And she makes no exception for the demon that Tanjiro is protecting. Will she kill Nezuko?

Most of this volume is about the demon spiders and the fight against them, but we do gain two new characters – Shinobu and Tomioka. I liked seeing the backstory of the demons, and how they came to form a “family”. That just goes to reinforce what Tanjiro says about demons all having been human at one time. We also see how Muzan insinuates himself into a situation in order to make new demons.

On an aside, I love the colors of Tanjiro’s outfit, as well as his earrings. I read that patterns from Demon Slayer have now been trademarked.

Another good volume, looking forward to more.

Saturday, October 9, 2021

Saturday is Horror Day #31 - Summer of Sam, Candyman (1992)

 Summer of Sam


It's the summer of 1977, a long hot summer in New York City. Disco fills the air when a series of murders terrifies the inhabits of the city. A serial killer is on the loose, one who uses a .44 caliber weapon. And no one knows where he'll strike next.








Vinny (John Leguizamo) is a young married hairdresser who loves his wife Dionna (MIra Sorvino). Even so,  Vinny has an eye for the ladies, including his wife's cousin. When the cousin wants to go home, Vinny graciously offers to drive her, and they end up in carnal knowledge in the car, outside her house. Rudely interrupted by a driver leaning on his car horn, Vinny leaves, not realizing until later that he narrowly avoided becoming a victim of the serial killer.


Vinny has a group of friends he hangs around with, including Richie (Adrien Brody), Joey (Michael


Rispoli), Brian (Ken Garito), and Bobby (Brian Tarantina). Richie stands out in this group because of the way he dresses and acts, always reinventing himself. He's an aspiring punk rock musician, but he leads a secret life that his friends would never understand - he dances in gay bars, and participates in pornos, and has sex with men for money.


As more and more people die, with no clues to the killer's identity, New York is petrified with fear. Rising temperatures only serve to exacerbate the situation. Everyone is on edge and looking at one another askance, even the people they really think they know. How long can this situation go on before something has to give?

This film is Spike Lee's commentary on that summer of 1977, although after an initial outcry from Son of Sam survivors who didn't want to see the killer glorified, the director turned the film's focus to the people and their perception of what was going on in their lives. It must have been frightening, to say the least. In the film, women began to wear blonde wigs, since it seemed he was targeting long haired brunettes. John Leguizamo is wonderful as Vinny. I've always liked him and think he is underrated as an actor. Adrien Brody, who I admit haven't seen very much of, excels as Richie, who marches to the beat of his own drummer, and who becomes the brunt of his friends' anxiety-fueled suspicions.

Just a side note, but look for a couple members of the Sopranos cast here - Michael Rispoli, who played Jackie Aprile, and Michael Imperioli, who played Christopher Moltisanti, and was one of the writers of Summer of Sam, besides playing a character named Midnite. I will say that although a good film, it could have been tightened a little bit and did drag a little at times. It ran almost two and a half hours. But it was worth it. Interesting glimpses of David Berkowitz. I think the film captured the feel of that summer pretty well. I'll give it a solid 4 Stars.

Candyman (1992)


Grad student Helen Lyle (Virginia Madsen) and her friend Bernadette Walsh (Kasi Lemmons) are working on a joint thesis involving urban legends. To her dismay, she learns that her professor husband Trevor (Xander Berkeley) has been lecturing on that very topic to his students, despite her request that he not do so. But then Trevor seems to do as he wants, despite the fact that Helen is very devoted to him. When she drops in on his lecture unexpectedly, she senses a little something something between Trevor and a student named Stacy. A something Trevor is quick to deny.





Helen runs across a story of a man known as the Candyman, who has a hook where his hand should be, and terrorizes people to this day. According to legend, he can be summoned by looking into a mirror and repeating his name five times, which Helen does, although nothing happens. Deciding to delve into this myth, Helen discovers that the projects where Candyman is said to have been seen is a mirror to the apartment building she lives in. The difference, other than economics, is that a woman died n the projects, supposedly at the hands of the Candyman.



Being rather outspoken and bold, Helen persuades Bernadette that they need to investigate this new 

lead, despite the fact that these projects are more than a little dangerous. This fact is emphasized by the harassment they receive on their arrival. It doesn't help that they are dressed like cops. Once inside, they find the empty apartment and look around in the hallway first, photographing some of the colorful graffiti that lines the walls, such as Sweets to the Sweet. Helen insists on looking behind the bathroom mirror. Against Bernadette's advice, she enters the next apartment. Did she just see something?


The two women are caught red-handed in the apartment by a young mother Anne-Marie (Vanessa Williams) who lives next door. Helen takes advantage of this to question her. On returning later, she meets a young boy named Jake (DeJuan Guy) who is frightened of the Candyman, and doesn't want to get into trouble with him.

About this time everything begins to go wrong. After an encounter with the Candyman in the parking garage, Helen finds herself in Anne-Marie's apartment, covered in blood, next to the severed head of a dog. And the baby is missing! Anne-Marie is screaming at Helen, who has picked up a knife from the floor, and that's what the police see when they break in.

Now that she has been labeled as not only a killer but crazy, who will ever believe that the Candyman is real?

I took a class on urban legends a few years ago (it was a fascinating class and actually fulfilled a requirement. Where else can you get to read and watch The Exorcist for college credit?) As I watched this, I wondered if Candyman was a variation on the urban legend of the Hook Man. Just a thought.

At any rate, the theme of this film is definitely urban legends, in particular Candyman.  Candyman's story is a tragic one. He was condemned for his relationship with a white woman, his hand cut off, then tortured and killed. Now he only cares about killing, and being feared by people, lest he cease to exist. 

The premise is interesting, but I wasn't  overly impressed with Virginia Madsen in the lead role of Helen. In fact, she often got on my nerves with her limited range of expressions and emotions. And why is it that people, when they come upon a murder scene, insist on picking up the murder weapon?  Seriously? The best thing about the film is Candyman, played by Tony Todd. He is elegant and menacing, evil and yet almost human and it's hard not to feel sorry for what happened to him, even though he takes revenge to a whole new level.



There is a second Candyman movie that came out this year, done by Jordan Peele, also starring Tony Todd. In this version, the baby is grown up, and I am guessing that Candyman enters his life somehow, maybe through his mother. Should be interesting. I recommend watching this one first, and I'll give it a solid 3 Stars.

Book Review: Demon Slayer, Vol 4 by Koyoharu Gotouge

 

Demon Slayer, Vol 4       


Author: Koyoharu Gotouge

Publisher: Viz Media

American release date: January 1, 2019

Format/Genre/Length: Paperback/Fantasy Manga//192 pages

Overall Personal Rating: ★★★★

 

Zenitsu awakens to find himself outside of the house of monsters, with no memory of what happened or how he got there. He’s too grateful to question that, though. Until the guy with the boar’s head comes charging out, exclaims he smells demon, and heads straight for Tanjiro’s box! What else can Zenitsu do but defend it, because this is more precious than life to Tanjiro, no matter the cost? Tanjiro himself arrives just in time to defend the battered Zenitsu from being beaten any further. Turns out the guy with the boar’s head is Inosuke, and he’s a Demon Slayer too.

Tanjiro’s crow arrives and leads the three Demon Slayers to the house of the Fuji Family, who have a wisteria crest, where they can heal. In the middle of the night, Zenitsu is upset to find that Tanjiro’s box seems to be moving. When Nezuko comes out, Zenitsu becomes angry because Tanjiro’s been keeping this cute girl all to himself!

Once healed, the three receive an urgent summons. They must head to Mount Natagumo as soon as possible. En route, they run across another member of the Demon Slayer Corps, who seems to be badly injured, and begs for their help. Suddenly, the young man is picked up and pulled back into the forest. Tanjiro and Inosuke decide to go in after him, while Zenitsu waits for them. They meet another member of the Corps who is disappointed to see them since they are such low level Slayers. He explains that he is part of a group of ten Hashira level slayers who, once they arrived at this place, began to kill one another! They have all fallen under the spell of a powerful Demon!

It seems that some of the Slayers have become hideous hybrid spider creatures! And the demons who are doing this to them are part of some evil Family. How will Tanjiro and Inosuke combat them if they get caught up in their spider strands?

This volume of Demon Slayer finds the boys getting into trouble while on the way to Mount Natagumo. This family of demons is very creepy, and a great challenge to both Tanjiro and Inosuke. It will be interesting to see how they fight their way out. I love how Zenitsu has become totally devoted to Nezuko (even though he knows she is a demon). We get a little of his back story in this volume, and I have to admit I like him better than I did before, especially when he’s sleeping lol. The jury is still out on Inosuke, although I might change my mind about him later, but as of right now, he’s given me no reason to and I find him very annoying. Not much of Nezuko this time, but hopefully more in the next volume.

Looking forward to the next one!

Thursday, October 7, 2021

Book Review: Monster, Perfect Edition Vol 5 by Naoki Urasawa

 

Monster: The Perfect Edition, Vol 5     


Author: Naoki Urasawa

Publisher: Viz Media

American release date: July 21, 2015

Format/Genre/Length: Paperback/Manga/Horror/410 pages

Overall Personal Rating: ★★★★★

 

Tenma is hiding on top of a bookcase, rifle in hand, waiting for the moment when he can kill Johan, and end the life he never should have saved all those years ago. Dr. Reichwein has gone to see Herr Schuman, to warn him about Johan, fearful of what Tenma might do. But Schuman insists on going to the ceremony at the library anyway. Once they arrive, he tells Karl he has forgotten something and sends him home to retrieve it. Dr. Reichwein suddenly realizes where Tenma is and rushes out, but he can’t shake Dieter. And the persistent Detective Lunge, who still believes Tenma and Johan are the same person, heads to the library as well to talk to Herr Schuman.

Nina is shocked to learn that Lotte knows Johan and realizes she is a dead ringer for him. And what is this book that scared Johan so?  A Czech picture book about a monster with no name? Meanwhile Tenma has Johan in his sights. All he has to do is squeeze. So why can’t he? And who is this strange woman who has just set the library on fire?

Tenma receives a message, brought to him in the park on behalf of Herr Schuman by his son Karl. He says the mother of the twins is alive and living in Prague. A journalist named Grimmer is seeking information on the East German Kinderheim. He runs into Tenma on a train, and they become traveling companions. But when the authorities stop the train, he reveals his knowledge of Tenma’s identity and tells him to run. Afterward, Grimmer finds the former director of Kinderheim and learns, to his horror, that he has a number of young boys in his home. What is he doing, recreating experiments of the past? Can Grimmer stop him?

The more we know, the more I want to know, as these plots become more and more entwined.  I didn’t think Tenma would be able to shoot Johan, and yet I feel he has to die somehow. I think Nina can do it. Unless of course, there is more to her than meets the eye. I’m not even sure of that anymore.

Did Kinderheim create a monster, or was Johan always that? If he was, what about Nina? Grimmer’s alto ego is pretty amazing, I have to say. And Lunge is so delusional, I can’t wait to see his face when he learns the truth about Johan – that he is a real and horrible person who is not Tenma.

Another great volume of Monster, can’t wait for the next one!

Wednesday, October 6, 2021

Wednesday Briefs: An Unholy Alliance #19 (5.3)

 Good morning and Happy Hump Day ! If it's Wednesday, then it must be time for more flash fiction from the Wednesday Briefers! We're a group of authors who bring you our finest flash fiction every week, 500 to 1000 words, inspired by one of our prompts.  

Charlemagne has found himself in a bit of a situation with a group of armed rednecks. Surely this won't be a problem for long? See what's going on in this week's chapter of An Unholy Alliance. Don't forget to visit the other Briefers and see what's up with them. Their links follow my tale! Enjoy!

An Unholy Alliance #19 (5.3)

I dropped immediately into a low crouch. Balancing my weight on my hands, I swiftly swung my legs in a solid arc until I connected with the limbs of the nearest idiot and knocked him off his feet. He let out a surprised yelp. The dog seemed to have anticipated my movement somehow. He leapt out of harm’s way, barking excitedly. Not sure if he was barking at them or me or just in general. As long as he didn’t bite, I could live with that.

And don’t even tell me how hypocritical that just sounded.

A shot whistled past my head. Luckily I have amazing reflexes. I quickly rolled out of harm’s way as I grabbed at the legs of the shooter, who turned out to be Joey. He tried to take aim at my new position, but he didn’t stand a chance.  I sprang to my feet before he could even begin to comprehend what was going to happen, grabbed his gun and shattered it against the nearest tree and then tossed the remnants of his weapon out of reach.

That should take care of things rather handily. But I hadn’t accounted for Frank. He caught me by surprise, to my chagrin. He threw his arms around me from behind and squeezed. He had an unexpectedly strong grip for such a small man. Even so, I knew he was no match for me.

“Shoot him now!” he bellowed. I suppose it hadn’t occurred to him that anyone shooting at me ran the risk of hitting him due to our juxtaposition. Or perhaps he relied too much on the marksmanship of his friends. From what little I’d seen of them that was a very foolish risk to take.

Well, I wasn’t about to stand there and let that happen. Not that I thought any of the other morons were in a position to do as he asked anyway. With little effort, I tore myself from his tenuous grip.  Even as I did, I was dismayed to feel the fabric of my jacket rip. Couldn’t be helped now. Without looking, I launched a quick kick backward and was gratified by the sound of his strangled moan which indicated I’d hit my intended target.

They were all down for the count—at least for the moment. So I took advantage of that fact to make my hasty departure. The sooner I was away from this lot the better. I paused for just a moment, though, almost against my better judgment.  Rover was barking at me, almost plaintively, as if he were asking where are you going, don’t you want to play with me?  I felt bad for the animal that he was stuck with such an awful owner. But that was life, wasn’t it? You didn’t get a choice in this world. You were always at the beck and call of someone.  The young and helpless under the control of someone bigger, stronger… and more entitled.  How did the saying go? Oh yes. A dog eat dog world. Pun intended.

I didn’t pause until I’d put a few miles between us. I was almost to my destination now. Time to take stock of myself before I met with Isabella. Well, the jacket was unsalvageable, no question of that. If I’d had time to seek out the services of a tailor, then perhaps I could have done something about it. But I didn’t have time for that. Correction, I didn’t want to make time, too anxious to learn what this woman had to tell me.  I wasn’t sure that course of action would have worked anyway, since it appeared as though some of the material was missing. A fabric such as this would not likely be available at a moment’s notice. No matter. I would just have to do without. Clothing was easily come by and not worth stressing over. I removed the jacket and discreetly disposed of it in a trash bin I found sitting at the side of a two lane road, at the end of someone’s very long driveway.

Without a mirror, I couldn’t assess the total damage I’d sustained, but had to hope it was minimal. My trousers didn’t appear to be any the worse for wear, despite my brief sojourn on the ground. No buttons missing, shirt intact, phone functional. That was my greatest worry, since I depended upon it for so much. Not just for my research, although that was the most important reason to me. Despite my estrangement from my family, rules dictated that I be accessible to them, as well as to the Council—or the Senile Six, as I liked to think of them. All that aside, I did also wish to put forth a presentable appearance, having no desire to embarrass Casey in any way.

I reached into my pocket for the address they had given me but came up empty. That was more of an automatic gesture since I’d already memorized the location. Guess I’d lost that paper in the scuffle. No matter.

Isabella’s home was indeed as isolated as Casey had led me to believe. The house itself was small, nothing remarkable. But the gardens with which it was surrounded were utterly beautiful. This woman must have the proverbial green thumb to coax such amazing flora into existence.  Her home and gardens were nestled in the middle of a wooded area not far off a small highway which would eventually lead to the aforementioned town of Cabool. As I approached the front door, I was filled with a most remarkable feeling of peace and serenity such as I had never encountered before. If John Milton had been able to view such a place he would have pronounced it to be Paradise Discovered.

 to be continued

Don't forget to visit the other Briefers and see what they're up to!

Cia Nordwell

J Ray Lamb

 

 

 

 

 

 

Monday, October 4, 2021

Book Review: Twentieth Century Boys, Vol 19: The Man Who Came Back by Naoki Urasawa

 

Twentieth Century Boys, Vol 19: The Man Who Came Back      


Author: Naoki Urasawa

Publisher: Viz Media

American release date: February 14, 2012

Format/Genre/Length: Paperback/manga/paranormal/230 pages

Overall Personal Rating: ★★★★★

 

Friend’s right-hand man, Manjome, has approached Kanna and Otcho with a shocking proposition—he wants them to kill Friend. Furthermore, he believes Friend is not who he says he is and that Fukube is actually and really dead. That’s a lot for them to take in.

Chono is fishing on his time off and he is joined by the newcomer, the guy with the guitar. He keeps trying to get this Yabuki Joe to admit that he is really Kenji, but so far that hasn’t happened. Meanwhile, Maruo and Namio and an assistant producer at the TV station turn to Kamisama, looking for a way to get the producer to safety as he has seen too much. Koizumi is still at the bowling alley, and she is utterly bored. She even hates bowling!  But when she picks up a bowling ball just to show someone how it’s done, Kamisama realizes she might be the key to revitalizing the dying industry!

Chono travels with “Joe” toward Tokyo, but they’re stopped outside a great wall with a fortress, unable to pass. A town has sprung up there, filled with people trying to cross over to get to Tokyo. Forging travel permits is a big industry there. The trouble is that the fakes are quickly spotted for what they are, and the people carrying them are shot on the spot. Still, people try. A man in Western cowboy garb, who goes by the nickname of Ichi the Spade, catches some of the people leaving the bad forgery shops and convinces them not to try it, but to use his bus service to reach the other side through an underground tunnel. Can he be trusted?

Ichi runs into Joe and Chono, and admits that he knows Chono has a bounty on his head. He tells Joe about a man who used to be a really good forger but who isn’t in business anymore. They go to see him, and he turns out to be one of the manga artists who used to live next to Kanna. His partner was trapped on the other side, so he has had to go solo. He doesn’t make forged passes anymore because he doesn’t want to be responsible if people get killed because of him. Joe persuades the manga artist to make him an ID and agrees to take his pages to his partner inside of Tokyo, at the same time that Chono finds himself betrayed.

Joe takes his forged pass and not only gets inside the gate, but he comes back and tells the manga artist to make enough passes for everyone in town. It’s time for everyone to leave. But Kenji/Joe is about to meet someone from his past, someone who is the epitome of evil.

All right, it’s out in the open now, let’s say it all together.  KENJI IS ALIVE!  I’ve been saying that for some time, and I am finally vindicated!  Huzzah! Okay, back to business.

I can feel everything winding down, the beginning of the end. Everybody and everything are falling into place, wherever they are meant to be. Kenji is headed toward Tokyo, and nothing and no one can stop him. He has the strength and courage of his conviction, and he has the immoveable force which has sustained him for all these years—his music. I can’t wait for him to connect with Kanna and the others again! And to finish what was begun so long ago.

Now the mystery remains as to who Friend is, since we know Fukube is really dead. And has been for some time, apparently. We still need to see the Holy Mother make her appearance. Although I once doubted her, now I suspect her arrival will be on the side of good, and hopefully she and Kanna can have a chance to have a real relationship.

This series just gets more and more exciting. Only three volumes left, can’t wait for the next one!

Saturday, October 2, 2021

Saturday is Horror Day #30 - The Family I Had, Mother Krampus 2: Slay Ride

 The Family I Had


On February 5, 2007, the Abilene Texas 911 operator took a call from a sobbing 13-year old boy who said he had killed someone - his 4 year old sister. The operator tried to get the boy, Paris Bennett, to attempt CPR on his sister Ella, even though he assured the woman his sister was dead. Spoiler alert: she was. The children's mother was called at work, at a local Buffalo Wild Wings, and told to come home immediately.






This documentary takes place ten years later, and is told through a series of interviews, primarily with Charity Bennett, the mother. Having lost her daughter to her son, she forgave him and remains in touch with him to this day. Her mother, Kyla, does as well. Charity became a mother at a young age, being only 18 when Paris was born. Interestingly, Charity lost her own father at an early age, a death for which her mother was tried and acquitted.


Paris loved his sister from the moment she was born, and they were very close. A very intelligent boy, he has an IQ of 141. That didn't keep him from committing this horrendous crime.

The directors of the film try to present a balanced picture without placing blame. But from what I can 


see, there is plenty of that to go around, and not just with the actual murderer, Paris. Watch the interviews with Paris and see how emotionally detached he is. He is an actor as well, as we learn that the whole sob story he gave to the 911 operator was a lie. Plus when she thought she had him performing CPR on his sister, he wasn't. In fact, before he called 911, he called a friend and chatted for a few minutes.

There are details that the documentary fails to mention that I read afterward. The night of the murder the two children were being babysat while their mother worked. But Paris talked the sitter into going home early (she doesn't even appear in this film, and other than the one mention, nothing is said, so I wonder if she was questioned as to why she would take her charge's word that she could go home when the mother clearly wasn't there). Apparently Paris was watching violent porn for some time (I assume even before the sitter was dismissed by him). At some point in the night, he went into his sister's room, sexually assaulted her and repeatedly stabbed her as he did. According to him, "it felt like stabbing a mattress or a marshmallow".



Prior to this crime, Paris was diagnosed as having homicidal tendencies, as well as sexual aberrations. And yet no one thought to do anything about it? I have a problem with that, as well as with the "forgiveness" of the mother, who at the same time fears him. Since this happened, she had another child, a boy she named Phoenix, and she doesn't want the brothers to meet, although they do speak over the phone, but with her in control.  I couldn't help but notice that she seems to treat Phoenix as a replacement Ella, even putting his long blond hair into a hair tie or barrette of some kind.

To be honest, I find both Charity and Kyla to be narcissists, and while the film is about Ella in that she is the subject, it is more about them, and how they claim to not be at fault for what happened. The reason we are given for what Paris did was sibling jealousy. He wanted to hurt his mother because he wanted to be the sole focus of her attention. His grandmother is in denial that her grandson is a sociopath, but I think that much is obvious.

It's a tragic situation which I see as becoming worse if they ever let Paris out of prison. He only received a 40 year sentence, because of his age, and will be eligible for parole when he is 33. Charity is afraid of what he might do to Phoenix, and I think her fears are justified. She claims he isn't getting the help he needs. I hate to say it, but not every illness can be cured. And I don't think that leopard can change his spots. If anything, I'd be afraid he's learned more about the subject while he's been incarcertated.

This was an interesting documentary. The only person I feel sorry for is Ella, whose life was cut so tragically short.  Watch it for yourself and see what you think. I give it 3.5 Stars.

Mother Krampus 2: Slay Ride


Twas the night before Christmas in Cleveland, Ohio, and four young women are completing their compulsory community service. Only a few more hours and they'll be free. They're stuck assisting at a shelter which is feeding the poor and homeless. The girls are less than enthused about the situation and don't take it as seriously as they perhaps should. When they duck out to a bar, one girl finds her boyfriend there with another woman. And during the ensuing discussion, they end up in his car having sex. Another girl, Lady Athena, who is a transvestite, plies one of the other girls with drink. None of them are in particularly good shape.

When they finally return, the frazzled manager of the shelter asks them to deliver meals for the seniors on her route. What else can they do but say yes? The three girls cover for the fourth, who is still with her boyfriend. They've been instructed to spend half an hour at each stop, to spread Christmas cheer. Their efforts are met with less than great enthusiasm, which matches the effort they put into it.



One house, though, is different. Unbeknownst to them, someone has come into the house and killed the inhabitants and is now playing like she is the woman of the house. And she is their next stop.

Okay, where to start with this one?  First, how about the title. Despite what it says, there is not a Krampus in sight, and no mention of one. So right away, we have false advertising. The film starts with a masked figure who comes upon all the inhabitants of this house and murders them one by one.Why? We don't really know. Later in the movie, she tells the girls she's lived there all her life, but if there is a backstory, it's never told.



The movie is only about an hour and a half long (but seems longer), and some of that time is taken up with sheer stupidity and gratuitous nudity and near nudity. Why one of the girls changes into a very very short red dress with a plunging neckline is beyond me. Then she sneaks her boyfriend into this stranger's house and has sex with him in one of the upstairs bedrooms, after which the girl feels free to take a shower, while he watches cartoons on the TV.

The acting is tolerable, I've seen worse. The pacing is uneven, the writing not particularly good. You know from the beginning that this woman is nuts, so it's just a matter of time until she goes after the girls and the supervisor who comes to give them Christmas presents on their last day of service. Honestly, the only halfway interesting character in this is Lady Athena. There is a lot of gore and badly down bloody make-up. The ending makes me wonder if there could be another one.

I sincerely hope not. I'm going to give this 1.5 Stars and call it a day.