Showing posts with label thomas harris. Show all posts
Showing posts with label thomas harris. Show all posts

Tuesday, May 12, 2015

Top Ten Tuesday #4: Ten Authors I REALLY want to meet

Wow, what a great topic, how could I not do this one? I can't! By the way, this Top Ten Tuesday stuff is lots of fun!  lol


Okay, here is my list of ten authors I REALLY want to meet (and yes, I know, some of them are dead lol) This list is in no particular order, by the way

1. Mike Carey - author of Lucifer, Hellblazer, and the Felix Castor series... he had me with Lucifer. I fell in love with those books, and am dying to meet the mind behind them.
















2. Chris T. Kat - she's not only my friend and co-author, but she's a wonderful author who's created some memorable characters. I love her perspective on people, and her willingness to go out on a limb to create characters who are not cookie-cutter stereotypes. She draws on your emotions and makes you feel for them, and with them.

3. PG Wodehouse - I absolutely love his sense of humor, I bet he'd be a blast to hang out with (if he were alive lol). I love everything I've ever read by him, but I'm especially fond of Jeeves and Wooster. You gotta admire a guy who lived with a name like Pelham Granville and used his initials, instead of tossing the whole thing lol

4. Douglas Preston & Lincoln Child - okay, technically, these are two authors, but I love the books
they write together as well as separately. They write the Pendergast series, which I am totally enamored of. These books are real page-turners, literally, and combine thrillers with science with mystery with.... a great wow factor!








5. Thomas Harris - he created Hannibal Lecter, of course I want to meet him! Such an awesome character. I should write someone half as good! Alas, I don't believe he likes to give interviews, so this is not likely to happen, but a girl can dream, right?

6. Geoffrey Zakarian - he writes cookbooks, don't judge me! The man is handsome and sexy and classy, and he can cook - he's perfect.
















7. Mae West - She wrote an autobiography, Goodness Had Nothing to do With It, plus she wrote a
play, Sextette, and she was beautiful and smart and brassy, and lived life on her terms. Heck yeah, I want to meet her!











8. Denise Wyant - another author friend of mine, she's bouncy and lively and full of fun, and I think we'd have a great time if we got to hang out!

9. Marian Lanouette - yet another author friend, whom I got to know when I was privileged to edit for her. Her books are great, and I love her characters, and she is a very classy lady who I'd love to meet.

10. Agatha Christie - the creator of Hercule Poirot? Of course, I'd want to meet her, I love her books, and I never get tired of them. I just imagine she has some stories to tell!


Those are the first ten I thought of, I'm sure there are more. What authors would you like to meet?

Friday, April 24, 2015

To Be a Hero... Can a Villain Apply?

Hero versus villain... protagonist versus antagonist... Seems rather cut and dried, doesn't it, but is it really? But can a villain actually become a hero?

Of course he can. It's all a matter of perception.

I've recently begun watching Wolf Hall on Masterpiece Theater. For those who aren't familiar with this drama, it's the story of Thomas Cromwell, and the part he played in the events of his times, that is during the reign of Henry VIII. Of humble birth, Cromwell was taken under the wing of the great Cardinal Wolsey, and nurtured. The Cardinal's unmakiing was Henry's failure to have a son by his first wife, Catherine of Aragon. His pride - and his nation - decreed he must have an heir. Of course, his becoming infatuated with a young girl named Anne Boleyn didn't help matters any. She had spent some time in the French court, and was smart enough to realize that if she gave in to Henry - ie sleep with him - she would quickly lose his favor. But she held out and kept her eye on the prize - becoming Queen of England. For that to happen, Henry needed his first wife annulled, which would also have made any children by that union bastards. He only had the one daughter, Mary, and he was willing to have that happen in order to gain a son.


I've read a number of stories and histories dealing with this time period, and almost invariably Thomas Cromwell is painted as a villain for his part in the fall of Wolsey, the divorce of Henry and Queen Catherine, and  breaking with the Pope and the formation of the Church of England. But here he is actually the hero, the center of the story. The man himself has not changed, of course, merely how we are to perceive him.

So what does that mean for a writer? Just that the person who is the center of your story can be a villain and still be the hero. Not only the virtuous need apply.

In this story, Anne Boleyn is painted as a villainess, but if you should read or watch Anne of the
Thousand Days, you'll have a whole different picture of the woman who became Henry's second wife, mother of the greatest queen in English history, and first of his wives to be beheaded. Whereas Wolf Hall makes her out to be a calculating schemer, who was in league with her family to acquire power and wealth, in Anne of the Thousand Days, she is a young girl who becomes enamored of a handsome, virile king and spends years waiting to make him hers.


One of my favorite villains cum heroes has to be Dr. Hannibal Lecter. I've read all the books, seen all the movies, and love them. Hannibal is a serial killer, and an unrepentant one at that. He makes no bones about what he's done. Granted, he has reasons, and how he became the way he is is well told in Hannibal Rising. But the fact remains he has done things which don't exactly make him hero material. And yet that is just what he is, for he is the center of every story, even when he is not onscreen, so to speak.

What does Hannibal have that makes him so interesting, even as a villain? He's intelligent, and very charming... and manipulative as hell. As a trained psychiatrist, he has insight into how people think, how they work, and he isn't afraid to use that knowledge for his own means. Whether you like him or not, there is no doubt that he is the hero of Thomas Harris' books.





Another example of the villain as hero can be found in John Milton's Paradise Lost. I only read this poem for the first time in the last couple of years, and was instantly mesmerized. It begins in the aftermath of the great Rebellion - the attempt by a third of the Chosen to overthrow God which resulted in their being cast down to the newly created Hell. Among them is their leader, of course, Lucifer. Since history is written by the victors, and since Lucifer did not win in his attempt to wrest power from God, ergo Lucifer is the villain. And yet he is the hero, for he shines more brightly than any other character in the book, and he is certainly the most interesting among them. Compared to him, Adam and Raphael are dull and annoying, whereas Lucifer reveals himself made of sterner stuff, and also shows God in a less than flattering light.



Lucifer is portrayed as highly intelligent and brave, and unafraid to take on someone who is as powerful as he is, if not more so. Even knowing that God is all-knowing, he takes a stand for what he believes in and fights for it. Is that not the definition of a hero? And yet he has been vilified for many years.

Lucifer also features as the hero/villain of a series of graphic novels written by one of my favorite
writers, Mike Carey. And once again, the angels do not come off well at all. In Carey's version, which actually found its origins in Neil Gaiman's Sandman, Lucifer is fed up with being in charge of Hell and he's gone up to Earth and opened up a piano bar called Lux in Los Angeles. The story opens as an angel approaches him, sent by God to deliver a message - God needs a favor. Once again, there is no doubt Lucifer is a villain, but he is still the hero of these volumes.

A good hero is not perfect. He has flaws and imperfections which make him human, and place him within the understanding of the readers who might be less than impressed with someone who is without fault. At the same time, a villain can have his good points and his virtues. And be interesting enough to fill the role of hero.

Wouldn't life be dull if every character was one way or the other? It's how you handle the flaws that sets your characters apart, for good or for bad. Who doesn't love a bad boy?

I think every writer needs to make a hero of a villain at least once in his or her career. I know I intend do.

You've met him already, and he too is a serial killer. You'll be seeing him again.

Sunday, January 29, 2012

Serial Killer Sunday - Red Dragon Review

My favorite fictional serial killer is Hannibal Lecter. This was  his debut, Thomas Harris' Red Dragon.


Red Dragon  
Author: Thomas Harris
Publisher: Berkley (reprint, originally Dell)
American release date: January 6, 2009
Format/Genre/Length: Novel/Thriller/464 pages
Publisher/Industry Age Rating: NR
Overall Personal Rating: ☆☆☆☆☆
Similar series or titles to check out: Silence of the Lambs, Hannibal, Hannibal Rising

It doesn’t take a rocket scientist to figure out what FBI agent Jack Crawford wants of Will Graham—especially with the headlines blaring about the two murders; one in Atlanta, the other in Birmingham. More than enough reason for Crawford to come down to Florida, to get the consultant’s take on the killer. The choice of locale is deliberate—when he shows Will the photos of the deceased families, children included, he can’t help but contrast that with his own wife and stepson. How can he refuse to help catch someone who hurts children?

Synopsis:

Will hasn’t been with the FBI since before he met Molly, leaving the Bureau after his unfortunate encounter with a particular serial killer by the name of Hannibal Lecter—an encounter he almost didn’t survive. Nonetheless, and against Molly’s wishes, he agrees to help the FBI find the killer the media has dubbed the Tooth Fairy. First he travels to Atlanta, to the house the Leeds family had lived in. Everything is still in place, waiting for them, as if expecting them home at any moment. Will looks at their life, in situ, trying to piece together what happened to them so he can determine what sort of person did this and create a profile for the FBI to use in order to look for him.

It’s the little things that speak to him, cause him to ask questions. He tries to make sense of the bloodstains, figure out what happened when. Why did the killer move the family around? Was there a purpose to his madness? And by any chance when he did, did he leave a fingerprint behind?

The murders each took place during the full moon, which surely isn’t coincidence, and which means they only have less than a month til the next one. Before the next full moon, they not only have to figure out who this guy is but who his next victims will be, before it’s too late. Will gets more and more engrossed in the chase, while somewhere in the Midwest a man is planning his next move—and his Becoming. Will decides he needs to consult with someone, the only person he knows that can shed some light on this killer—Dr. Hannibal Lecter himself. Will this encounter end better than the last one? And will the good doctor deign to cooperate?

Add to the mix a sleazy tabloid reporter with a penchant for stirring the shit so it hits the fan, and a killer with a deep seated admiration for Dr. Lecter—you’ve got a sure fire recipe for death and mayhem!

Commentary:

In this first volume of Thomas Harris’ Hannibal series, we get a glimpse of his extraordinary character, Dr. Lecter. I think he is undoubtedly one of the greatest characters ever created, with a great deal of depth and far more to him than meets the eye. There are things we won’t even learn about him in this volume; it’s just a teaser for what comes later. This book is Will Graham’s story and how he deals with having met Hannibal in the past and his need to consult him in the present. It’s about his desire to preserve his way of life balanced against the desire to save innocent lives from a deranged madman. Which side will win?

It’s brilliantly written, fast paced and well executed. The character of Francis Dolarhyde is well drawn, and not above eliciting sympathy for what he cannot help. His unraveling is fascinating to behold—and he does not go down alone.

This is a must read introduction to the world of Hannibal Lecter—it sets the stage and sets it well for what comes after. Not to be missed at any price.





Monday, June 20, 2011

Red Dragon Review

Red Dragon   
Author: Thomas Harris
Publisher: Berkley (reprint, originally Dell)
American release date: January 6, 2009
Format/Genre/Length: Novel/Thriller/464 pages
Publisher/Industry Age Rating: NR
Overall Personal Rating: ☆☆☆☆
Similar series or titles to check out: Silence of the Lambs, Hannibal, Hannibal Rising

It doesn’t take a rocket scientist to figure out what FBI agent Jack Crawford wants of Will Graham—especially with the headlines blaring about the two murders; one in Atlanta, the other in Birmingham. More than enough reason for Crawford to come down to Florida, to get the consultant’s take on the killer. The choice of locale is deliberate—when he shows Will the photos of the deceased families, children included, he can’t help but contrast that with his own wife and stepson. How can he refuse to help catch someone who hurts children?

Synopsis:

Will hasn’t been with the FBI since before he met Molly, leaving the Bureau after his unfortunate encounter with a particular serial killer by the name of Hannibal Lecter—an encounter he almost didn’t survive. Nonetheless, and against Molly’s wishes, he agrees to help the FBI find the killer the media has dubbed the Tooth Fairy. First he travels to Atlanta, to the house the Leeds family had lived in. Everything is still in place, waiting for them, as if expecting them home at any moment. Will looks at their life, in situ, trying to piece together what happened to them so he can determine what sort of person did this and create a profile for the FBI to use in order to look for him.

It’s the little things that speak to him, cause him to ask questions. He tries to make sense of the bloodstains, figure out what happened when. Why did the killer move the family around? Was there a purpose to his madness? And by any chance when he did, did he leave a fingerprint behind?

The murders each took place during the full moon, which surely isn’t coincidence, and which means they only have less than a month til the next one. Before the next full moon, they not only have to figure out who this guy is but who his next victims will be, before it’s too late. Will gets more and more engrossed in the chase, while somewhere in the Midwest a man is planning his next move—and his Becoming. Will decides he needs to consult with someone, the only person he knows that can shed some light on this killer—Dr. Hannibal Lecter himself. Will this encounter end better than the last one? And will the good doctor deign to cooperate?

Add to the mix a sleazy tabloid reporter with a penchant for stirring the shit so it hits the fan, and a killer with a deep seated admiration for Dr. Lecter—you’ve got a sure fire recipe for death and mayhem!

Commentary:

In this first volume of Thomas Harris’ Hannibal series, we get a glimpse of his extraordinary character, Dr. Lecter. I think he is undoubtedly one of the greatest characters ever created, with a great deal of depth and far more to him than meets the eye. There are things we won’t even learn about him in this volume; it’s just a teaser for what comes later. This book is Will Graham’s story and how he deals with having met Hannibal in the past and his need to consult him in the present. It’s about his desire to preserve his way of life balanced against the desire to save innocent lives from a deranged madman. Which side will win?

It’s brilliantly written, fast paced and well executed. The character of Francis Dolarhyde is well drawn, and not above eliciting sympathy for what he cannot help. His unraveling is fascinating to behold—and he does not go down alone.

This is a must read introduction to the world of Hannibal Lecter—it sets the stage and sets it well for what comes after. Not to be missed at any price.