Those
Surprisingly Sexy Victorians
I’ve just
finished my sequel to Loving Leonardo—my unusual bisexual, poly-amorous,
Victorian love story with a touch of reader-interactive art history. It’s
called Loving Leonardo—The Quest, and continues the tale of Nicolas, Ellie, and
Luca. In this romantic part two, as the last, the main observer is Nicolas
Halstead, a man of means forced by society to wear a disguise. He’s the
narrator here and it’s through his perspective that we see and feel his world.
An art historian by profession, Nicolas can’t help but compare life to art.
Because of this, he leaves many references to artists and artworks scattered
throughout the pages. I designed the book to be reader interactive. Peppered
throughout are artists and art references. Should the reader care to look them
up, they’ll see exactly what Nicolas sees when he makes those references. Think
of it like a full-color story book for adult readers. :)
When we
think Victorian, we often get an image of tight corsets, sexual-repression, and
strictly adhered-to codes of behavior. While researching the details for Loving
Leonardo, I found that Victorians seldom lived up to their stereotypes. In
fact, I came across an account that said Queen Victoria herself liked to draw
and collect sketches of naked men. One of which was a gift to her husband. That
was the first of many surprises.
There was an
interest in neoclassical Hellenism at that time, and many Victorian artists and
poets sought to recreate the perfection of the classical age. This led to other
studies of ancient Greece, particularly in the area of pederasty that promoted
an erotic relationship between an older man and a younger man as an
advantageous male bonding. It’s quite possible that this pursuit of the
classics pulled the curtains back on same-sex relationships because the late
Victorian era also spawned the Decadent movement in literature.
Decadent
writers used elaborate symbolism to discuss taboo topics such as death and
deviant sexualities. As far as this symbolism goes, it’s interesting to note
that the word Decadent with its uppercase D held a different meaning from the
lowercase use of the word. The lowercase d represented a decline of morals of
the like seen just before the Roman Empire fell. Conversely, the symbolic D
shouted to the world that followers of the Decadent movement took pride in
their opposition to everyday morality and social mores.
In London in
my novel’s time period of 1897, there was a distinct same-sex subculture—a
shadowy Decadent underworld of secrets, clubs, codes, and body language. The
notable persons of the day leaning toward that decadence with a D were Oscar
Wilde, E. M. Forster, Somerset Maugham, Edith Cooper, Edith Somerville, Prince
Edward, Lord Alfred Douglas, and on and on. Though no longer a crime worthy of
the death penalty, homosexuality was still considered a punishable offence.
Oddly enough, the same did not apply for lesbians. Queen Victoria declared this
particular sexual inversion to be “impossible”, or at the least, a “French
vice”.
To the
horror of the moral enforcers of the day, same-sex relationships were moving
into the light, thanks in part to the highly publicized trial of Oscar Wilde
and the charges of sodomy and gross indecency against him. And just like
Halley’s Comet gave birth to the sale of “Comet Pills” to keep you safe, a
whole slew of medical treatments, barbaric procedures, and wild contraptions
arose to stem the tide of deviant sexuality. Nonetheless, curiosity was piqued.
There arose
a scientific study of human sexuality or “sexology” as it was called, and it
attempted to classify “normal and perverse” behaviors. From this study, a third
classification of human sexual behavior appeared—the Sexual Inversion. In other
words—Homosexuality. Social reformers of the time came up with a label of their
own to categorize what they deemed a curious state: Uranian. The name itself
implies a lack of female involvement, for according to one mythic view,
Aphrodite was born of Uranus. Uranianism went on to encompass the female
homosexual and soon softer language borrowed from the Greek myths appeared—Lesbian
and Sapphic.
Loving
Leonardo
The Blurb:
Bound by limits dictated by society, Art Historian Nicolas Halstead lived a guarded life until a tempest in the form of Elenora Schwaab blew into his world. At first Nicolas can’t decide if the audacious American is simply mad or plotting blackmail, for not only does she declare knowledge of his homosexuality, she offers him a marriage proposal.
The Blurb:
Bound by limits dictated by society, Art Historian Nicolas Halstead lived a guarded life until a tempest in the form of Elenora Schwaab blew into his world. At first Nicolas can’t decide if the audacious American is simply mad or plotting blackmail, for not only does she declare knowledge of his homosexuality, she offers him a marriage proposal.
After Ellie
tells him of a previously unknown work of Leonardo da Vinci, a book of erotic
love poems and sketches dedicated to the artist’s long-time lover Salai,
Nicolas joins her in a race to save the book from destruction. Along the way
they encounter Historian Luca Franco and discover a comfortable compatibility
that comes to redefine their long-held notions of love. The trio embarks on an
adventure of sensual discovery, intrigue, and danger. Little do they know
Leonardo da Vinci’s book is far more than meets the eye.
The
following is a very Uranian snippet:
The ladies
took their sherry as ladies do, and the men headed to the lounge for cigars and
port. Of course, wherever men congregate, politics and finances are on
everyone’s mind; that, and the Queen’s upcoming Jubilee. The century would be
turning shortly and industry and modernization were keen topics alongside
investments and instability in South Africa. Queen Victoria’s bellicose
grandson Wilhelm had recently alienated public opinion by his interest in the
Cape Colony of South Africa. More than one man in the room felt the foreseeable
future held a second Boer war. I found I didn’t have much to say, my thoughts
otherwise occupied by my body’s surprising reaction to my wife, and the way the
blond Dutchman rolled the end of his cigar between his lips.
I was certain Ellie would retire when
she’d had enough small talk. From the little I knew of her progressive
attitudes, small talk of hats and fashion weren’t topics to hold her interest
for long. I was unversed in American politics but I doubted half the men in my
own House of Lords were as well versed in Britannia’s policies as she was in
the politics of her country. My wife wanted the vote. As wise and learned as
she was, America was wrong to deny her. In quick order, I found myself lost in
thoughts of her. Under a newlywed’s pretense, I downed my port, made my goodnights,
and took my thoughts to the deck where I became momentarily captivated by the
moonlight sparking upon the water. It was an image that brought to mind the
dappled water of Pierre-Auguste Renoir, coupled with the hazy quality of Ivan
Aivazovsky’s Moonlit Night.
Although his invitation had been
crystal clear, I was nevertheless surprised when the Dutchman walked up and
stood beside me. We talked about sea voyages, Lord Byron, and the feel of a
fine Cuban cigar over your tongue. His description was such that I asked him to
show me what he meant. He “just happened to have one in his cabin,” he said, “a
fine hand-rolled Havana, the same sort that Britain’s own Prince Edward
enjoyed.” Primed with innuendo, needless to say, I followed.
The cabin was dimly lit and private
from his sister. After he closed the door behind us, he made no move to light
the lamp. In a flash he was on his knees before me. It wasn’t a Havana he
wanted rolling over his tongue, but then I never thought it was. He kissed his
way up my thighs, switching from one to the other as his fingers deftly undid
my trousers. Pulling them down to my knees, he closed his hand around my now
hard cock, while his other hand freed his own. This would be no long coupling.
It would be short and hard and infinitely satisfying.
My eyes closed and I held my breath as
his warm mouth enveloped me. A man knows what feels good, and my Dutchman
treated me as if he sucked himself. He laved my shaft until I was sloppy wet. I
couldn’t help but sink my hands into his golden hair to guide him, and my
fingers coated with his spicy Makassar oil. He gagged, he slobbered, and he
sucked me hard. All the while, the whapping sound of his hard-handed abandon
filled the quiet space. I knew his delicious act drove him over the edge, and
he made little sounds of surrender as I held him fast and fucked into his
mouth; plummeting along tongue and teeth, while my balls slapped against his
chin. The groan was unmistakable and I knew he shot his spunk by the feral
scent in the air. I gave him the rest in quick short jabs. An instant later my
floodgates opened and I pumped into him, thrilling to the carnal duet of his
muted gags and straining gulps. He was glorious.
About
Rose:
I love words and choose them as carefully as an artist might choose a color. My active imagination compels me to write everything from children’s stories to historical fiction. As a persnickety leisure reader I especially enjoy novels that feel like they were written just for me. It’s hard to explain, but if you’ve ever read one of those, then you know what I mean. I tend to sneak symbolism and metaphor into my writing and always write in layers. You might say it’s a game I play with myself. It’s really a kick to have readers email to say they’ve found something or to ask if I meant what they think I meant when they read a portion and their brain goes, hey wait a minute… I want people to feel the story was written just for them and these hidden insights are my gift to my readers.
I love words and choose them as carefully as an artist might choose a color. My active imagination compels me to write everything from children’s stories to historical fiction. As a persnickety leisure reader I especially enjoy novels that feel like they were written just for me. It’s hard to explain, but if you’ve ever read one of those, then you know what I mean. I tend to sneak symbolism and metaphor into my writing and always write in layers. You might say it’s a game I play with myself. It’s really a kick to have readers email to say they’ve found something or to ask if I meant what they think I meant when they read a portion and their brain goes, hey wait a minute… I want people to feel the story was written just for them and these hidden insights are my gift to my readers.
Just a few of oh so many links!
Loving Leonardo Buy Link: http://www.amazon.com/dp/B009LS3H6Q
Main Blog: http://calliopeswritingtablet.com/
Satellite Blog: http://calliopeswritingtablet.blogspot.com/
Pinterest: http://pinterest.com/FollowTheMuse/
Facebook: https://www.facebook.com/rose.anderson
Twitter:
https://twitter.com/roseanderson_
Thanks for stopping by, Rose! Come back again soon!
Until next time, take care!
♥ Julie
Thanks for having me today Julie. If anyone has questions or comments, I'll be stopping by throughout the day to answer.
ReplyDeleteRose
Great excerpt and gorgeous covers! I'd love to read these books, to test my five years of art history classes. (This knowledge is likely long gone! Plus, preferred postwar American stuff, oh well!) what fun, I hope I get a chance to read your erudite, observant, and steamy stuff!
ReplyDelete(Julie, the weather is awful, stay warm!)
Urbanista
brendurbanist@gmail.com
Ah fellow Wordie, I think you'd enjoy them. I'm also found of that period for art, earlier too as when Edward Hopper's Nighthawks was painted. Thanks for stopping by!
DeleteThe only thing that could have made Loving Leonardo better would have been to have the paintings Nic references right there on the page. Great job, Rose.
ReplyDeleteJane
Thanks Jane. :)You know, in retrospect I'm thinking that might have been a good addition to the back pages.
Delete