But I wanted to do something for my blog, so I'm going to post my review of Jesus of Nazareth, because it's appropriate for today, and it's my favorite Jesus movie. Yes, I do enjoy watching them, and there are some very good ones out there, and some less than good ones. But today I want to share my feelings on Jesus of Nazareth, starring Robert Powell
Also, I want to give today, so I'm going to have a giveaway. A copy of any of my eBooks. What do you need to do? Just comment, and don't forget to add your email address, and tell me what your favorite Jesus/Easter movie is. If you don't have one, tell me something else. The giveaway will run through the end of the week. And enjoy the day!
There are
few people who are not familiar, at least to some degree, with the story of
Jesus of Nazareth, from
birth to death.
It's a story which has been portrayed in books, in songs, in verse, as
well as in the cinema and on the small screen many times, not to mention it has
a prominent place in the New Testament.
In 1977, acclaimed filmmaker Franco Zeferelli filmed his own version of
the story, which was broadcast as a TV mini series of more than six hours'
duration (probably a lot more than that by the time commercials were thrown
in). I admit that it took me a while to
get around to watching this version because I was put off by the choice for the
lead role of Jesus Christ. I had only
seen Robert Powell in one thing prior to this, and that was the rock opera
Tommy, where he played Tommy's father. I
could not see him, based on that one performance, as Jesus Christ, so I didn't
try. And I was skeptical when I heard of
his powerful performance in the role. I
stuck with old familiars, such as King of Kings, with Jeffrey Hunter, and two
versions of Jesus Christ Superstar.
Until I finally got around to seeing this version.
I was
totally wrong, and very remiss for not having watched it sooner. This film delves in great depth into the life
of Jesus, beginning even before his conception.
Robert Powell is magnificent as Jesus.
He completely brings him to life, and makes him real in a way that I
think few can ever match (I admit I haven't seen all Jesus films, of
course). Even despite the blue-eyed
thing and the fact that he doesn't even look Jewish, which of course Jesus
was. But putting that aside as a
cosmetic difference, he has a definite presence and an appeal and his eyes are
truly haunting in their intensity. One
of the reasons for this is that Zefferelli had him not blink, an effective
method of creating an otherwordly presence when among men. The notes I read said he only blinked once,
and that includes the portrayals of him at all ages, so I must conclude that
the one scene is the one at the very end; at least it's the one I noticed.
As I said,
the story begins before his conception, with Mary (Olivia Hussey) and Joseph,
and a lot of time is spent with them. In
fact, after an hour into the film, we are still dealing with an infant, which
is pretty drawn out by anybody's reckoning.
I admit, the beginning is rather slow, but not uninteresting. Olivia Hussey is an unusual choice to
portray His mother. She had worked with
Zefferelli prior to this in Romeo and Juliet, in 1968. At the time Jesus was done, she was 26, but
certainly doesn't look it. I can't
honestly say she added anything to the character, but she wasn't bad
either. Kudos to the film for dealing
with what must have been a difficult subject between herself and Joseph, who is
asked to take on the role of father to a child he knows for a fact can't be his - a difficult task for any man. But he rises to the occasion, and helps to
provide Jesus and his mother with the home and stability that they need, despite the difficulties they must go
through along the way.
The cast
of Jesus of Nazareth is a stellar one by anyone's standards, and whereas
sometimes that's a great and wonderful thing, it can also be a deterrent in
some ways, especially if the actor or actor involved is very well known outside
of the part. I don't know about others,
but I found having Darth Vader (James Earl Jones), Donald Pleasant and Ben
Gazarra as the three magi was a bit offputting.
Michael York made an interesting John the Baptist, lacking perhaps a bit
of the fire and brimstone to be found in Robert Ryan's portrayal in King of
Kings (and a whole lot of the crazy).
What I found interesting in my reading (a novel called Pilate's Wife by
Antoinette May), was that Jesus and John were cousins, a fact that I'd never
heard before, which is hinted at here if you pay attention. Make of that what you will, I'm just throwing
it out there. Christopher Plummer
acquitted himself well as Herod Antipas, dealing with a nagging wife whom he
loved, despite her shrewishness, and a nymphetic stepdaughter, who inflamed his
lust. You can feel his sympathy with and
liking for John the Baptist; he finds him harmless, and is loath to do anything
against him, until driven to it by a rash promise to his wife. Also very interesting casting is Ian McShane
as Judas Iscariot, one of the more sympathetic portrayals of him I have seen,
not resorting to automatic bad guy status.
He plays him as sincere and earnest, believing he is doing what is best
for Jesus, not realizing he is being used as a pawn by Zerah (Ian Holm). Other members of the cast, which is too
numerous to list in its entirety, include Rod Steiger, Laurence Olivier, James
Mason, Stacy Keach (as Barabbas), Anne Bancroft, Ernest Borgnine, and many
more.
Without
giving a blow by blow account of a well-known story, I'd like to mention two
scenes which stand out in my memory. The
first involves Ernest Borgnine as a Roman centurion, who approaches Jesus to
ask for his help. He has a servant that
is ill, and the man is more a friend than a servant, and he is very concerned
about him, will Jesus please help him?
Although many of those around him protest at the centurion even being
there, because of his being Roman and all, naturally Jesus does not listen to
words of hate, but instead to words of need.
He says he will come with the centurion, who then protests that he does
not expect that, he does not wish to trouble him. He goes on to say that he just need say it is
done, that then it will be done, he understands how that works. As a soldier, he gives the order and it is
obeyed, without him having to be
there. Thus it is with Jesus. He trusts that if Jesus says it will be, then
it will be. Jesus is very touched by the
faith in him that the Roman evidences, and tells his followers that this man
has got it right, that he understands better than they do. That is a very heartwrenching tearful moment,
especially when the news arrives that the Centurion's servant is well once more.
The second
moment comes on the night of his arrest, prior to Judas' arrival, as Jesus waits in the garden of Gethsemane,
his disciples sleeping around him. He is
apprehensive and a bit fearful, naturally so, of what is going to happen. And for a moment he is filled with doubt, and
he has some introspection going on, and this is one of Robert Powell's finest
scenes, I do believe. I was very very
touched, and wept myself.
Yes, six
hours is a long film to watch. I don't
pretend to have watched it in one sitting, or two or three. But I'm very glad I did. This is one of the best versions of this
story I've ever seen, and I highly recommend it. I don't think you'll be sorry if you take the
time to watch it.
The Ten Commandments is the movie I most associate with Easter. I know it's not an Easter movie but for most of my childhood, they showed it on Easter night and my family always watched it. I haven't seen Jesus of Nazareth but I really should make time to watch it.
ReplyDelete(By the way, the reference to Jesus and John the Baptist being related probably goes back to Luke 1:36. During the Annunciation, Gabriel tells Mary that her cousin, Elizabeth is also with child. Elizabeth is John's mother.)
I can't believe I haven't seen The Ten Commandments, I need to. King of Kings is also one of my faves, and I loved Jeffrey Hunter's portrayal of Jesus. If you want to go a little more modern, I recommend Jesus, with Jeremy Sisto. I was very surprised at his performance. As for books, Christopher Moore's Lamb is excellent, and for non-fiction read Zealot, by Reza Aslan.
DeleteThat is interesting, thanks for stopping by!