Showing posts with label nic cage. Show all posts
Showing posts with label nic cage. Show all posts

Saturday, November 16, 2024

Saturday is Horror Day #192 - Grace: The Possession, Sympathy for the Devil

 Grace: The Possession


Born to a mother who died afterwards, Grace (Alexia Fast) has been raised by her grandmother Helen (Lin Shaye). Eighteen years later, she is off to college and more than a little nervous, having little actual experience with people. Her new roommate is rather forward and outgoing, and introduces Grace to a few of her friends, but Grace finds herself quickly left behind. It doesn't help when her grandmother calls to admonish her for not taking the Bible with her when she packed for college. Luckily, Grandma has corrected that oversight.






To be honest, I didn't get any farther than this. The camerawork was driving me crazy, done from Grace's POV, and Grace herself was a very uninteresting character. Not much to say other than I didn't care for it and never watched far enough to see Lin Shaye, who was in the Conjuring series.  Oh well, can't win them all. I recommend skipping this one.

Sympathy for the Devil


A man (Joel Kinnaman) is driving to the hospital to join his wife, who is in labor with their second child, the first having died in childbirth. He is naturally anxious about the pending birth and wants to be with his wife. But he is unexpectedly joined by a man with bright red hair (Nic Cage) who tells him to simply drive. And by the way, he has a gun....







I'll be honest with you, there is only one reason to watch this film - if you are a fan of Nic Cage, as I am. His performance is high energy cray-cray at its finest. I was actually misled by the title, assuming Nic Cage was playing the devil in human form, but such was not the case. There are some tricks and twists to this film, which is mercifully short, but not of that compares to watching Nic at work. This all takes place in and around Las Vegas. I didn't like the Driver, he was very weak and uninspiring, but I absolutely loved Nic. If you want to see this, see it for Nic. If you aren't a fan, you might as well skip it.


I'm giving this film 3 Stars, purely because I love Nic Cage.

Sorry, not exactly winners this week. Better luck next time. Feel free to make suggestions for films you want to see reviewed.


Sunday, August 25, 2024

Saturday is Horror Day #180 - Arcadian

 Arcadian


The world as we know it doesn't exist, and those who survive do so by the skin of their teeth against fierce creatures the like of which have never been seen. Paul (Nicolas Cage) is a single father taking care of his two sons, Joseph (Jaeden Martell) and Thomas (Maxwell Jenkins). It's a difficult existence, and primitive in ways, but they do what they can. They don't dare to venture far from home, and definitely not after dark.







Thomas has a working relation with a neighboring farm and helps them with their work when he can. Of course, it doesn't hurt that they have a daughter about his age, Charlotte (Sadie Soverall), with whom he forms a friendship.  Joseph cleverly puts together a vehicle, which means they can go farther during the day.  Paul sends the boys out one day, and the two go their own ways, Thomas heading to the farm. He doesn't meet with his brother at the appointed time, so eventually he leaves and Thomas heads home later, only to meet with an accident, forcing Paul to search for him.


This is basically a movie about survival, about doing what you can when the odds are against you and 


there are terrible creatures who want nothing more than to kill you and... more.  I have to believe I liked the movie as much as I did because Nic Cage was in it, and I am a huge fan. The story itself is believable if you like movies that deal with crises that threaten the existence of mankind, the creatures a bit less so. To hear them talk, they are like insects, but also like werewolves. I know, doesn't make sense to me either. I don't remember hearing an actual explanation of what happened. At least you get one in a Quiet Place, and even a prequel now. So what we're left with here is large hairy insectoids (is that a word? I'm not sure)

At the end of the day, it's a decent Nic Cage movie and worth watching for that alone. I'll give this film a generous 4 Stars because of that, so take that with a grain of salt.


Saturday, November 11, 2023

Saturday is Horror Day #139 - Renfield

 Renfield


Renfield (Nicholas Hoult) was once a solicitor in his native England, living the good life, his future seemingly bright. But a fateful business trip to meet with a client in faraway Transylvania changed Renfield's life forever. He became the minion of that client, Count Dracula (Nicolas Cage), and now, years, later, he finds himself attending meetings of a group that deals with codependency. Listening to the stories of his fellow attendees, he realizes he can't help them change themselves, but he can do something to the people who make their lives miserable.






Renfield and Dracula are now living in New Orleans, after Dracula was almost killed by vampire 


hunters, so that he may recuperate. Renfield is fed up with suffering abuse in silent, which is why he begins to attend the 12-step program meetings. He decides to use the abusers to feed Dracula, in order to ameliorate his guilt for having sacrificed many innocent people in the past. But he ends up in conflict with a rival crime family, the Lobos, and he kills their assassin, which brings him to meet Detective Rebecca Quincy (Awkwafina). One thing leads to another, and Renfield confesses his story to Rebecca, deepening the relationship between them, and ultimately leading to a confrontation with Dracula himself.


Renfield is a dark comedy/horror/fantasy film with a whole lot of gore thrown in for good measure. Nicholas Hoult is amazing as the beleaguered and fed-up minion who finally decides that enough is enough. As for Nic Cage, he plays the part of Dracula for all he's worth, which is saying quite a lot. Campy, creepy, and yet somehow likeable. It's clear he had fun with the role, and I had fun watching this movie. I loved Awkwafina in Crazy Rich Asians, and I loved her here, she is very talented and has great comedic timing. Just be aware that there is a great deal of blood, and if this is a trigger for you, maybe you should pass on this. I would love to see it again, and plan to do so.


I give Renfield 4.5 Stars.

Saturday, December 11, 2021

Saturday is Horror Day #40 - Looking Glass

 

Looking Glass


After suffering a devastating personal loss, Ray (Nicholas Cage) and Maggie (Robin Tunney) buy a motel in the middle of the desert to start over again. But things are strange from the get-go.  Ben (Bill Bolender), the man who sold them the motel, isn't there on their arrival, having left the keys and a hastily scribbled note outside the door. When Ray calls him, he is very mysterious and doesn't seem inclined to discuss anything, but wishes them well.

Even though they aren't officially open, a woman arrives and Maggie checks her in. Then a trucker named Tommy (Ernie Lively) shows up. Apparently he's a regular, and prefers to be in Room 10, which was always the arrangement with Ben. Ray has no problem with that and gives him the key.




Local law enforcement, Howard (Marc Blucas) shows up, looking for the pot of coffee Ben usually has going. Ray obligingly makes him a pot. The deputy says the coffee is so good he's going to come by every day.




There is a lot of work to do on the motel, but Ray is handy. In looking around, he discovers an entrance that has been padlocked and chained shut. He cuts off the lock and heads inside to a storage area. But then he notices something weird, in the wall, close to the ceiling. He decides to investigate and discovers a small tunnel. Ray crawls through the tunnel and up a ladder to find himself peering into Room 10, where the maid is vacuuming. Something is very strange here, but what?

Ray and Maggie's relationship is on edge. Ray sneaks off to the looking glass and begins to spy on 


various guests and what they do in that room, which makes him horny and sends him back to his wife. But when someone throws a dead pig into the motel pool, Ray realizes something is off here. He can't reach Ben any more, and the deputy keeps asking to have Ben contact him. Suddenly Ray feels as though his world is spiraling out of control...

This wasn't a bad film, but it is a sort of confusing one that could have benefitted from some clarification. Or even explanation. I confess to being a huge Nic Cage fan, so I'll try anything he's in once. I did like this better than Prisoners of the Ghostland. It makes more sense than that one. Even so, we are left with questions. Such as the true nature of their daughter's death. Also, the motivation of the killer who is identified at the end. Like I said, not a bad film, but not great either. Worth watching for Nic alone, but even this isn't necessarily his best effort. I'll give it 3 Stars

Saturday, November 27, 2021

Saturday is Horror Day #38 - Krampus Origins, Jeepers Creepers 3,Prisoners of the Ghostland

 Krampus: Origins, Jeepers Creepers 3

I am going to make these reviews short, basically because I didn't finish either one.  Krampus: Origins takes place during WWI. There are soldiers, there are nuns, I think. Orphans. But mostly it has bad acting, bad writing, and a ridiculous story. I gave up after fifteen minutes.

I got farther with Jeepers Creepers 3 but also gave up, both because of problems with the disk and because I was really confused as to what was happening. I have the feeling this one takes place between the first and the second, which makes no sense to me, and it was boring. I'm not going to rate either one, just recommend avoiding both of them.

'Prisoners of the Ghostland


Hero (Nic Cage) and Psycho (Nick Cassavetes) rob a bank, but things go horribly wrong. Hero hadn't intended for anyone to get hurt, much less an innocent child. In attempting an escape, Hero unwittingly causes another child, a young girl, to be injured and her mother killed.








Years pass. The warlord of Samurai Town, the Governor (Bill Moseley) has a tight grip on the inhabitants of this pseudo Western town. But when his adopted granddaughter Bernice (Sofia Boutella) disappears, he calls on the only man he believes capable of finding her and bringing her back to him - Hero. He promises Hero his freedom when he accomplishes his mission. But of course there is a catch. Since he doesn't trust the man, he has outfitted him in a special leather suit with some interesting modifications. Namely, explosive devices set to go off at pre-set times or under particular circumstances. He has three days to find Bernice, each passing day chiming on a wrist band. When he finds her, she has to speak her name into the wrist band, and he will have two more days to return her.


Another explosive device is around his neck, and another around his crotch - to make sure Bernice comes back pure and unviolated. He gives Hero the keys to a car, and he takes off. Hero runs into trouble and crashes his car, finding himself in a strange place with strange people. He shows them the picture of Bernice and asks if anyone has seen her, but no one is talking. There is something really off about this place. Some of the girls are dressed like mannequins. And some of the men are concerned with a giant clock and a prophecy regarding the starting again of time.

Hero locates Bernice and tells her she must come back with him... even if she doesn't want to. She 


actually left Samurai Town of her own volition. But Hero is running out of time - and body parts - and he has to bring her back. But what is he bringing her back to?





I can't say this is an uninteresting film, or that it doesn't have some very unusual sequences and pretty shots. But I can say it doesn't make a whole lot of sense. As if someone edited out some of the important scenes that might have helped to create a more coherent story.

The basic premise is easy enough to understand. Hero needs to find Bernice and bring her back before his suit blows up and he will be set free from prison. But the subplots are ... confusing at best. The large clock? Is that the atomic clock? Or it is making a statement that the people are all prisoners of time? I don't know. There is a strange Japanese style Greek chorus, as well as the human mannequins. And from what I can tell there are references to the aftermath of the atomic bomb, whether the real ones that were dropped in 1945 or future bombs dropped at some indeterminate date. The backdrop of Samurai Town is almost like spaghetti Western meets samurai film, and then they threw in Nic Cage to play the part of the hero. 

Don't get me wrong. I found the film worthwhile just to watch Nic Cage in action. The rest of it, though, is another matter. Hero feels guilty over the death of the little boy, even though he didn't cause it, and the ghostly child keeps popping up. Why Hero is robbing banks in Japan, I have no idea.  Then there is the busload of prisoners who end up in an accident and become the victims of some sort of atomic radiation.

All in all, I would recommend it to Nic Cage fans, otherwise probably not for others. Just for that reason, I'll give it 3 Stars, because I do love me some Nic Cage.

Saturday, August 7, 2021

Saturday is Horror Day #23 - The Hoarder, Return of the Living Dead 3, Willy's Wonderland

 The Hoarder


Ella (Mischa Barton) is mistrustful of her fiance. Having been screwed over by men before, she thinks she's found evidence that he's been unfaithful. But when the evidence suddenly vanishes, where else can it be but his storage unit, located way out in the middle of nowhere. Ella enlists the aid of her friend Molly (Emily Atack), because that's what best friends are for, right? Especially friends who know how to get into places they shouldn't.







The two young women bullshit their way past the clerk on duty, Stephen (Andrew Buckley), and take the elevator down to the fourth level. Seems as though everything is underground. And not only is this level dark and creepy, but it has an unfinished look to it. Undeterred the girls find the fiance's unit and, with some difficulty, open the door, only to be confronted by... what was that? Something just snatched Molly and dragged her inside, shutting the door securely behind!


An alarmed Ella runs back to the elevator as the lights, which are on timers, go off around her. But


something is in pursuit and she barely makes it inside. The elevator refuses to move, though, and she climbs out the top and up the cable to the next floor where her cries for help draw the attention of Vince (Robert Knepper), who helps her out. He's skeptical of her tale, but luckily he's a cop, and willing to help. Soon they run across Willow (Valene Kane) and then Ian (John Sackville). Ian was in the process of splitting the contents of his storage unit with his soon-to-be ex Sarah (Charlotte Salt). But Sarah disappeared and he's looking for her, which makes him suspect in Vince's eyes.

The group tries to make its way up the stairs, but the doors at each level are locked. And there's something in the dark that's killing people...


This film was made in 2015. I'll admit the big reason I was drawn to watch it is because I really like Robert Knepper. To some extent it's a character-driven horror film, as we met the protagonists and hear their stories. Ordinary people leading ordinary lives. But it soon develops into true horror as a... creature... begins to claim more and more victims. There is a certain amount of tension, not knowing where this thing is or what it wants... or even something as basic as how to survive and get out of this death trap. The premise isn't bad, the acting is fairly decent. And of course, Robert Knepper plays his role very well. Naturally, he isn't necessarily what he appears to be, but would you expect less of him?

My biggest problem with this lies in the finale, once we learn who is behind everything, because there really is no why, no explanation of what we've been watching. Of course, based on certain stereostypes that aren't exactly new in the genre, we can extrapolate the reasons. But I have to believe there is more to it than that, and the film misses the mark on that score. Plus it's rather one-dimensional in that regard. Like Escape Room, but without the clever twists. It wasn't a bad film, but it could have been better. Mischa Barton's acting is less than spectacular but because of Robert Knepper, I am giving this 3 Stars.

Return of the Living Dead 3


Some things never change. Even after the fiasco involving the walking dead, the military can't get enough of playing around with these new playthings because, of course, they know best. Colonel Reynolds (Kent McCord) is no exception to this rule, as he and his group work at re-animating the dead. His son Curt (J Trevor Edmond) and his girlfriend Julie (Melinda Clarke) use dad's pass to sneak onto base, and they become unwitting witnesses of what transpires. The experiments lead to the colonel's reassignment. But when he tells his son, Curt rebels, and runs off with Julie on his motorcycle.





Julie gets a little frisky on the motorcycle, distracting her boyfriend, which results in an accident which kills Julie. The griefstricken Curt is beside himself and sneaks her body back onto the base, so he can revive her with the same stuff his dad and his group were using. This can't possibly go wrong, can it?


Julie begins to show symptoms of being dead, and experiences intense hunger pains. Curt takes her to a convenience store where she gorges on junk. Meanwhile a local gang is there, and trouble ensues, resulting in the shop owner's death, and one of the gang being bitten by Julie. Curt and Julie escape and make their way to the area of the sewers, where a homeless man unexpectedly aids them. But even he realizes there is something off about Julie.

The gang members are pissed at what happened and follow the young lovers, determined to have 


revenge. Curt's father is also looking for his son, having been relieved of his command. He's determined not to come back until he finds him.





This is the third entry in the Return of the Living Dead franchise, and it is by far the weakest link so far. It possesses none of the humor or fun of the first two films (maybe because it's lacking James Karen and Thom Matthews, just a thought). Different director and different writer result in a different film, and the change is definitely not for the better.


I think a large part of the problem is the script, which isn't very good. Also, I think the film takes itself too seriously but lacks any heart. We have no emotional ties to any of the characters, so it's kind of hard to care what happens to any of them. Like dispassionately watching a science experiment to take note of the results. But in this case, these are (or were) living breathing human beings, now the re-animated dead.


Another thing that irked me greatly was that they changed the rules of the universe in which they were playing. Julie becomes a zombie early on but she still retains her full ability to speak, although she does display many of the classic symptoms of the other walking dead. Tortured by the changes, she hurts herself in order to keep the hunger at bay, but she thinks that won't work forever and she's afraid she'll end up hurting Curt. She ends up making a weapon of herself (see above). So there's that. I think that's more of an excuse to show her half-naked body, but that's just my opinion.

Kent McCord... well, I loved him in Adam 12, but he doesn't really come across here as the classic father who was never around and doesn't know how to show his emotions. His portrayal is too cold and too rigid to get a real feel for this character, especially after seeing the experiment he was involved in.

All in all, this was a disappointment. I'm going to give it 2 Stars.

Willy's Wonderland


In the sleepy little town of Hayesville - one of those blink and you miss'em communities - sits the locked and abandoned one-time children's play place known as Willy's Wonderland, named after Willy the Weasel, one of its animatronic attractions. Liv (Emily Tosta) knows what evil lurks therein and intends to burn the place to the ground. But she's caught in the act by Sheriff Lund (Beth Grant), who is also her foster mother, and placed in handcuffs inside their home... for her own good.

 





Speed traps in small towns are not uncommon, and Hayesville is no exception. A sports car driven by Nic Cage runs over a set of spikes that blow out all four tires. As he stands by his car, a tow truck miraculously appears. When the driver tows Cage to his garage and assesses the damage, including the tow it will come to a thousand dollars. They have no Internet, so can't pay by credit card. He doesn't take checks, and the ATM doesn't work. Cash on the barrel head. Of course the silent Cage doesn't have a grand in his pocket. So the tow truck driver offers him a deal. He knows a place that needs help. He can spend the night there, cleaning, and in the morning, his car will be ready to go. Cage has no choice but to accept.


The place turns out to be Willy's Wonderland.

Meanwhile, some of Liv's friends are looking for her and find her handcuffed and help her to break out.


She is intent on finishing what she started, especially since she saw the man with the tow truck driver and she knows where he's being taken and why. And she is determined that is not going to happen.




Meanwhile, Cage goes to work to do what he's agreed to. He's been told to remember to take breaks, so he sets his watch as a reminder to do so. Willy's is creepy, in large part due to the animatronics which seem to move... and more. But Cage is more than a match for them and dispatches a couple quite handily. When he tries to throw their remains outside, he learns for the first time that he has been locked in.



Liv knocks on the window to tell him he has to get out of there, before they set the building on fire, but he turns and ignores her. Exasperated, she decides to find a way inside and tells her friends to wait for her. But Fate has other ideas, and all the teens find themselves inside Willy's.

I am a huge Nic Cage fan, so when  I found out about this film, which just came out in 2021, I had to see it. What got me really hooked was a line in the preview, when Liv says "He's not trapped in there with them. They're trapped in there with him."

This story was very original, sort of a Chucky Cheese meets Psycho. Nic Cage is a character known only as The Janitor. We never learn his name or his story, and he never speaks. Even so, his actions speak volumes as we watch him do battle with the evil animatronics without batting an eye. And the story is told with a certain amount of humor, which I love. 

Liv is a great character, who has personal reasons for wanting this place to go. The town has its own reasons for doing what they do as well. Liv is the leader among her friends, the alpha if you will, and a very strong character.  I was pretty well riveted to the screen the whole time. I'd call it very bloody, except the animatronics don't have blood. But then again Liv's friends do. Nuff said.



I enjoyed this movie pretty much. My opinion of Nic Cage hasn't changed a bit. He's good in whatever he does. I would recommend this movie, and I will give it a solid 4 Stars.



Friday, November 25, 2011

Zandalee Review

Zandalee  
Director/Studio/Author: Sam Pillsbury/Panorama/Mari Kornhauser
Format/Genre/Length: DVD/Drama/100 minutes
Publisher/Industry Age Rating: R
Overall Personal Rating: ★★★★

One-time poet Thierry Martin (Judge Reinhold) has traded his pen to live the corporate life in his father’s stead, after his father’s death. Unfortunately, the stress has left him unable to cope with the needs of his sexy wife Zandalee (Erika Anderson). When Thierry renews his friendship with wild-child artist Johnny Collins (Nic Cage), can trouble be far behind?

Synopsis:

Zandalee is set against the backdrop of New Orleans, where Zandalee works in the dress shop of Thierry’s grandmother Tatt (Viveca Lindfors). Zandalee is restless, and yearns to have the man she married back again—the poet who inflamed her with his words. Physically frustrated, she falls into a relationship with Johnny, telling herself that it’s only sex. At a dinner party given for Tatta and her long time lover, she and Johnny do it in the laundry room, while her husband sits nearby.

The more it continues, the more torn Zandalee is between her love for her husband, and her desire for Johnny, and it becomes harder and harder to reconcile the two. She urges Thierry to take her away, find time for them to be alone together. By now he more than suspects what is going on, and is helpless to do anything about it. He takes her to the bayou, and tells Johnny where they’re going, with tragic consequences.

Commentary:

This is pretty vintage Nic Cage, and he certainly doesn’t hold back in any way in his portrayal of the bohemian artist who lives by his own rules, and takes what he wants. There is one scene that is very over the top Nic in one of his trademark meltdowns. Johnny doesn’t like to be told what to do, or who to do it with. And he doesn’t care who he hurts. I found Zandalee to be obnoxious and selfish. The person I felt most sorry for was Thierry. His own weakness proved to be his fatal flaw.

It’s an interesting film, worth watching, mostly for Nic and Judge Reinhold. I wasn’t  particularly impressed with Erika Anderson’s performance. Viveca Lindfors as Tatta was good. Look for some interesting cameos—Steve Buscemi working on a garbage truck; Marisa Tomei as one of Johnny’s women; and Joe Pantoliano as a cross-dresser who frequents Zandalee’s shop. I think his was the most interesting character of all.

Good scenery, both inside New Orleans, and on the bayou. Worth adding to your Nic Cage collection.